Come morning, Shanghai roars to life. The horns from the busses, taxis, and cars
merging at the intersection of Haining Lu and Henan Bei Lu make one constant hooooonnnnkkk! Pollution begins to rise from the horizon up
into the atmosphere. Construction--the
whine of the concrete saws, the zaps of welding, the teeth rattling sound of
jack hammering, and the rumbling of big Japanese pavers--resumes. As I head to work, crossing Qipu Lu, people
intent on shopping push me aside, shouting to their friends or into their smart
phones, stopping at the fruit stands for fresh-pressed pomegranate juice or
cantaloupe on a stick. Every other person
drags a trolley laden with black plastic garbage bags, each one stuffed with
cheap clothing and cheap shoes. People
eat as they walk and then toss their trash unceremoniously onto the street,
scarcely caring if the vinegar from their dumplings ends up on your clothes.
When you live in a city that's, like, 90 times the size of
your own, it's easy to think you'll never have a moment's peace again. One thing that's great about my neighborhood
in Shanghai is that after about 9 pm, the whole place shuts down. Most of the stores on Qipu Lu are closed, the
rumble of trolleys and the call of vendors silenced. The streets are littered with the day's
trash--skewers from street barbeque, half-full Styrofoam bowls of ramen
noodles, watermelon rinds--but it's quiet.
Quieter than New York City, less quiet than Spokane. There have been a few times when I walk home
from the subway, from work, and I can actually hear crickets, softly chirping
in the bushes. It's past ten, and the
sky is black, the surrounding buildings brightly lit, like stars.
My morning walks to the Bund have been like a renewal for
me: a reminder that yes, peace does
exist in spite of Shanghai's chaos, that the water in the river still flows and
that the lotus still blooms, even from the muck.
As if pulled by the same idea, I see couples taking their
wedding photos there all the time. Just
two days ago, I saw nine different couples!
Other than the Catholic Church in Xujiahui , Waitan (the Mandarin
word for the Bund), is the most popular spot in Shanghai for wedding
pictures. New beginnings.
I always see something interesting on my walks. One morning I saw a man flying a kite, a
black fish about five feet long, high up in the air. Kite-flying is popular on the Bund, but this
huge kite was the most amazing I've ever seen.
This morning, the interesting sights continued: I saw four different groups of uniformed
practitioners of martial arts. The first
group was in light pink, dancing slowly with their swords near the Monument to
the Peoples’ Heroes. It was all so
beautiful that I paused on their stairs:
A breeze rippled the loose pink clothing, swirled the tassels on the
hilts of each sword. Seabirds glided
over the Huangpu River; tourists walked by, some taking photos. Each pose, each movement of the practitioners
seemed Zen, unhurried, knowing that a consistent gentle push might be more
persuasive than a hard shove.
Not wanting to disturb them, I did an about-face and
descended the stairs.
Below the Bund is a small garden, twisting and turning paths
woven into the trees. There is even a
small wooden bridge near a waterfall, with lotus and lilies blooming up from
the ponds. Latticework arcs overhead,
woven with trailing vines and filtering the sunlight. Classical Chinese zither music wafts from
small portable radios. Retired people
are there every morning. Some just sit,
almost as if meditating or just allowing themselves to wake up. Some do taijiquan or other light
calisthenics. Some stand and talk with
one another, the men with wrists clasped behind their backs like old scholars,
looking like they're trying to balance themselves between Confucius and
Chairman Mao.
As I made my way through this garden, I could hear more
music, flute this time, and spied two long lines of people practicing another
form. Tai chi? Wushu?
Kung-fu? I knew a lot of the
names, but not enough about the forms to identify them quickly. Their uniforms were white satin rather than
pink, but they were just as graceful.
Carefully I edged around them, thankful they were without swords.
It's hard to believe that modern Chinese people still
practice these ancient arts--thousands and thousands of years old--but it's
still a part of them. It makes me feel
good to know that the Cultural Revolution wasn't able to take everything
away.
China seems to me to be a nation of survivors. The battles between warlords in seemingly
every dynasty; 60 years of invasions by the Mongols; World War II…I can
understand why bamboo graces so much of Chinese art. So strong it's used as scaffolding, Chinese
bamboo can hold the weight of many men, but it can also bend in the slightest
wind. The Chinese talk about being
descended from dragons, but sometimes I wonder if they didn't spring up out of
the bamboo, ready to bend or to be strong, whatever the situation
required.
Unlike the first Americans, who took that bold step into the
unknown--and escaped--the Chinese made a stand.
Perhaps, if they'd been living in Europe, surrounded by ocean in many
cases, taking a boat far away would've made more sense. Or perhaps they chose to stay. I don't know enough about China or Chinese
history to make a real guess. I think
both histories, in spite of their differences, should be revered, though. It takes just as much bravery to start over
as it does to stay; to try something new as it does to keep going through the
daily grind.
I thought about how China had survived so much. I thought about how America, in its own short
history, had survived what it has so far.
Maybe both countries are made of survivors. Perhaps stubbornly, perhaps foolishly, human
beings just keep on going.
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